Further Reading:
This book offers a comprehensive gathering of Baldwin's nonfiction works that articulate issues of race, democracy, and American identity. His landmark collections Notes of a Native Son and Nobody Knows My Name fuse the personal, literary, and the political. The classic The Fire Next Time provides an analysis of America's racial divide and No Name in The Street and The Devil Finds Work chart his continuing response to the social and political turbulence of his era. Thirty-six additional essays record insights into the language of Shakespeare, the poetry of Langston Hughes, the music of Earl Hines, and more.
The Devil Finds Work is a book-length essay by writer James Baldwin. Published in 1976, it is both a memoir of his experiences watching movies and a critique of the racial politics of American cinema.
Bette Davis's eyes, Joan Crawford's bitchy elegance, Stepin Fetchit's stereotype, Sidney Poitier's superhuman black man... These are the movie stars and the qualities that influenced James Baldwin... and now become part of his incisive look at racism in American movies.
Baldwin challenges the underlying assumptions in such films as "In the Heat of the Night, " "Guess Who's Coming to Dinner, " and "The Exorcist, " offering us a vision of America's self-delusions and deceptions. Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained us and shaped our consciousness. And here, too, is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change.
From "The Birth of a Nation" to "The Exorcist"--one of America's most important writers turns his critical eye to American film. (Google Books, viewed 29 November 2022)
A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation, gave passionate voice to the emerging civil rights movement—and still lights the way to understanding race in America today.
"Basically the finest essay I’ve ever read. . . . Baldwin refused to hold anyone’s hand. He was both direct and beautiful all at once. He did not seem to write to convince you. He wrote beyond you.” —Ta-Nehisi Coates
At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document from the iconic author of If Beale Street Could Talk and Go Tell It on the Mountain. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose," The Fire Next Time stands as a classic of literature.
Set among the bohemian bars and nightclubs of 1950s Paris, this groundbreaking novel about love and the fear of love is "a book that belongs in the top rank of fiction" (The Atlantic). In the 1950s Paris of American expatriates, liaisons, and violence, a young man finds himself caught between desire and conventional morality. David is a young American expatriate who has just proposed marriage to his girlfriend, Hella. While she is away on a trip, David meets a bartender named Giovanni to whom he is drawn in spite of himself. Soon the two are spending the night in Giovanni's curtainless room, which he keeps dark to protect their privacy. But Hella's return to Paris brings the affair to a crisis, one that rapidly spirals into tragedy. David struggles for self-knowledge during one long, dark night--"the night which is leading me to the most terrible morning of my life." With a sharp, probing imagination, James Baldwin's now-classic narrative delves into the mystery of loving and creates a deeply moving story of death and passion that reveals the unspoken complexities of the human heart.
Contains eight short fiction stories about men and women who are struggling in their own ways to survive the traumas of life.
It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob. By turns haunting, heartbreaking, and horrifying--and informed throughout by Baldwin's uncanny knowledge of the wounds racism has left in both its victims and its perpetrators--Going to Meet the Man is a major work by one of our most important writers. (Amazon.com, viewed 24 June 2021)
An extraordinary history of the turbulent sixties and early seventies that displays James Baldwin's fury and despair more deeply than any of his other works, and powerfully speaks to contemporary conversations around racism.
"It contains truth that cannot be denied.” — The Atlantic Monthly
In this stunningly personal document, James Baldwin remembers in vivid details the Harlem childhood that shaped his early consciousness and the later events that scored his heart with pain—the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his return to the American South to confront a violent America face-to-face. (Google Books, viewed 29 November 2022)
Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in “The Harlem Ghetto” to a sobering “Journey to Atlanta.”
Notes of a Native Son inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright’s work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise.
Notes is the book that established Baldwin’s voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin’s own search for identity as an artist, as a black man, and as an American. (Google Books, viewed 29 November 2022)
A major work of American literature that powerfully portrays the anguish of being Black in a society that at times seems poised on the brink of total racial war.
At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable.
For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty.
Tell Me How Long the Train's Been Gone is overpowering in its vitality and extravagant in the intensity of its feeling. (Google Books, viewed 29 November 2022)